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The music of Strand (Miguel Gil, Madrid) is the result of audio
manipulations, produced mainly by real instruments (guitars, wind
instruments, violins…), processing them digitally and placing them
is software surroundings such as Reaktor or Max/Msp. All of it is
considered a process of search where the possibilities of the software
to create emotions and beauty from the materials and tools of the
riskiest music is explored.
Besides the material included in diverse compilations ("Upload Folda"
and "Download Folda" from the Plataforma-ltw, Sónar 2003, Zona de
Obras nº36 or "POPvolume#4" of Popnews), Foehn Records edited in
2002 the CD "Domestica_04", signed jointly by Polaröide_Strand,
a surprising work of sonorous minimalism and melody, complex and
fascinating.
His first CD as Strand is "Paz" (Foehn Records, 2003), a brilliant
exercise of risk where digital elements and nature coexist, along
with acoustic instruments and programming, in order to endow content
and conscience to the purely synthetic. The result is a juxtaposition
of opposite environments that meet and separate, in between calmness
and sonorous hostility, creating an organic album full of different
shades and pop-experimental orientation, which places him amongst
the most interesting artists of the electronic national scene.
Strand works as well in the visual field with similar arguments
to the ones included in his music, manipulating real images with
modular programming languages such as Jitter and creating like that
a visual synchronized with sound response.
www.giltertre.com
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"In 'Paz', Miguel Gil as soon as he leaves place for
the rest, between clicks, wild rhythms and voices that appear, disappear
and they superpose themselves. From 'Soy petróleo, soy la
muerte' (the beginning) to 'Osborne Ruddock' (the end), the torrent
of polirhythms and sounds gone away of the computer are making a
carpet in which the timid voices put the organic and emotional touch."
(MUZIKALIA)
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