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| scorecrackers |
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| see
also markus breuss |
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| Improvisation,
jazz and electronics in the explosive cocktail shaker of Markus Breuss,
Hispano-Swiss founder of the collective named CLÓNICOS, and Pedro
López, a veteran representative of the avant-garde scene in Madrid.
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Group formed in1992 in Madrid by CLÓNICOS' trumpet player Markus
Breuss and three components of the group ZYKLUS (Wade Matthews,
Baldo Martínez and Pedro López). After a beginning that was a debtor
of the post-free tradition which characterized preceding projects,
Scorecrackers changed their initial formation (Matthews and Martínez
left, and Isabel Mullor and Suso González joined) and their previous
plan, focusing their music from a most experimental perspective,
although they did not abandon jazz at all. This group combines electroacoustic
sonorities and many resources inherited from conttemporary music
(such as the "randoming", the "noising" and the atonality), with
improvisation, informalism and a lack of prejudices, as the point
of departure of the raising of anarchical (but still coherent) sound
structures. After Mullor and González's leaving, Breuss and López
set themselves as Scorecrackers' nucleus, having in their live performances
(their natural background) the participation of many artists coming
from different stylistic fields.
Jesús Brotons.
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- Eating Flowers (CD, Por Caridad, 1997)
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"Their performance consisted in two long themes/improvisations
-one for each part of the show- where they combined many formal
references: jazz, contemporary, electronics, randomity, soundtracks,
the fate, the construction and dinamitation of structures, samplers
and handled sounds...As a result, a vital and unclassifiable music,
of a wild beauty not very habitual in the musical circuits (of jazz
or not) of this country." (Jesús Moreno - DIARIO
del ALTO ARAGON).
"Scorecrackers or the chaos as one of the beautiful
arts. They redefine the sound territory of the end of the millennium
starting from young savage's aesthetics, with a lacerating and overwhelming
expressionism. Their music constitutes a carnival full of rage and
noise, a celebration of the clash of ultrasounds.../... In between
of nightmare's atmospheres and twilight magic moments.../... Don
Cherry meets Panasonic at chaos time.../... It is one of the hardest
things ever heard. Sounds in the verge of the tolerable." (Luis
Llés).
"Scorecrackers perpetrate an authentic musical
performance armed with every kind of bows and wind instruments...
It left us completely astonished with a collection of unexpected
sonic registers." (Karles Torra - LA VANGUARDIA).
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OYK (excerpt) 
UYT (excerpt) 
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