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Extreme use of the noise as an aesthetic-expressive element. The sound and its non-conventional organisation for creating "sonorous landscapes".
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The Argentinian Pablo Reche stands out for his extreme use of noise as an aesthetic-expressive element, with a personal style that includes elements from the environment and from post-industrial sound to reach isolationism. The sonorous materials originate usually from recordings of natural environments, and from synthesizers and short-range radios, to reach through the sampler, processors and multitracks, to the desired "sonorous landscape".
As Victor Nubla says: "Pablo Reche's music explores the electronic field from multiple perspectives: an emotional one, where the textures and silences play the role of links with the listener's intimacy; another where the disarticulation/articulation of noise as a living element, in transformation; and another one, one more dynamic and surprising, where a real composing talent can be found. With the work of this musician, electronic music acquires the texture of other more physical styles of music whilst it submerges in totally inedited universes".
Reche's first CD, "Gira" (Gracia Territori Sonor/Zanfonia, 2000), of Spanish edition and presented in a live performance at Sonar festival, worked as an exploration of electronic sounds oscillating between different planes and exploiting freely between seas of silence. An introspective work, full of dynamics and intensities in constant vibration.
Since then he has published lots of sonorous material. On his own, quality CDs such as "Constelación" (Ecodiscos, 2000), "Granular" (Frágil Discos, 2002), "Paisajes" (Aerodiscos, 2003) or "Navegando por el mar del ruido" (Dreamland Recordings, of Australian edition, 2003). But he has also worked with other artists such as Cornucopia ("Nebula 9.3", Testing Ground, 2003) or Bokor (in his recent "Dialogue", Dreamland Recordings, 2004), besides many themes included in compilations.

www.pabloreche.com.ar

 
 
discografia  
   
 
 


  • Gira (CD, Gracia Territori Sonor / Zanfonia, 2000)
  • Constelación (CD, Ecodiscos, 2000)
  • Madamcolage (Book-Record "Laboratorio", El Europeo, 2001)
  • Música de Tormentas RECHE/AUDIODELICA (CD, PlanetaX, 2001)
  • Granular (CD, Fragil Discos, 2002)
  • Paisajes (CD, Aerodiscos, 2003)
  • Navegación (EP MP3, free, www.fukkgod.org, 2003)
  • Cornucopia / Pablo Reche: Nebula 9.3 (mCDr, Testing Ground, 2003)
  • Navegando por el mar del ruido (CD, Dreamland Recordings, 2003)
  • Reche / Bokor: Dialogue (CD, Dreamland Recordings, 2004)
  • Pablo Reche & Alan Courtis: Transistores de aire (CD, Conv, www.con-v.org/cnv21.htm, 2005)
  • Billly Bao: R'n'R Granulator (CD, W.M.O. Records, 2005)
  • Live at Recoleta (CD, Fuga Discos, 2006)
  • Noema (Pablo Reche / Jaime Genovart): Linde EP (3 tracks, Ailimaf.com Netlabel, 2006)

Compilations:

  • De Super Acción (Fuga Records, 1999)
  • Sonar 2000 (So Dens, 2000)
  • Biblioteca Vol.1 (Die Gol Records, 2000)
  • Ciclo P (revista Los Inrockuptibles, 2000)
  • Liva´s Laceration (Zidsic/Zan Hoffman, USA, 2001)
  • Nonplace Souvenirs (Ooze.bâp Records, 2001)
  • Underground Vibes (Electromusic Records, 2001)
  • Tributo a Depeche Mode (Discos Sordos, 2001)
  • Ambient intimacy Vol.5 (EE Tapes, 2002)
  • Sounds For Heads (Intruder Pain Records, 2002)
  • Fuga Externa (Fuga Records, 2002)
  • Pasada... Dj Angel Molina (Fragil Discos, 2002)
  • Discos Noise Vol 1 (Discos Noise, 2002)
  • Anestesia" (Discos Sordos, 2002)
  • Monovolumen (Discos Noise, 2003)

 

 
 
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"Pablo Reche is the most important representative of 'noise' in Argentina. As the owner of a very personal style, he alternates noise with post-industrial music, experimental techno, isolationism and the manipulation of vynils and CDs. His music has just been published by the Catalonian company Grŕcia Territori Sonor." (Jorge Haro - revista BARBARIA)

"Pablo Reche - Gira (Gracia Territori Sonor): It seems lately that we've been hearing a lot of interesting music coming originating from Argentina. Pablo Reche is an Argentinian composer who creates densely layered and haunting music; perhaps ambient noise but with sharp edges that jut out and keep it interesting." (THE CEILING, CANADA)

 

 

 
 
 
   
 
 

Emisión Gamma (excerpt)

Constelación 61 (excerpt)

 
 
 
 
   
     
 
 

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