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| pablo reche |
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| www.geocities.com/pabloreche
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| Extreme
use of the noise as an aesthetic-expressive element. The sound and
its non-conventional organisation for creating "sonorous landscapes".
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The Argentinian Pablo Reche stands out for his extreme use of noise
as an aesthetic-expressive element, with a personal style that includes
elements from the environment and from post-industrial sound to
reach isolationism. The sonorous materials originate usually from
recordings of natural environments, and from synthesizers and short-range
radios, to reach through the sampler, processors and multitracks,
to the desired "sonorous landscape".
As Victor Nubla says: "Pablo Reche's music explores the electronic
field from multiple perspectives: an emotional one, where the textures
and silences play the role of links with the listener's intimacy;
another where the disarticulation/articulation of noise as a living
element, in transformation; and another one, one more dynamic and
surprising, where a real composing talent can be found. With the
work of this musician, electronic music acquires the texture of
other more physical styles of music whilst it submerges in totally
inedited universes".
Reche's first CD, "Gira" (Gracia Territori Sonor/Zanfonia, 2000),
of Spanish edition and presented in a live performance at Sonar
festival, worked as an exploration of electronic sounds oscillating
between different planes and exploiting freely between seas of silence.
An introspective work, full of dynamics and intensities in constant
vibration.
Since then he has published lots of sonorous material. On his own,
quality CDs such as "Constelación" (Ecodiscos, 2000), "Granular"
(Frágil Discos, 2002), "Paisajes" (Aerodiscos, 2003) or "Navegando
por el mar del ruido" (Dreamland Recordings, of Australian edition,
2003). But he has also worked with other artists such as Cornucopia
("Nebula 9.3", Testing Ground, 2003) or Bokor (in his recent "Dialogue",
Dreamland Recordings, 2004), besides many themes included in compilations.
www.pabloreche.com.ar
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- Gira (CD, Gracia Territori Sonor / Zanfonia, 2000)
- Constelación (CD, Ecodiscos, 2000)
- Madamcolage (Book-Record "Laboratorio",
El Europeo, 2001)
- Música de Tormentas RECHE/AUDIODELICA (CD, PlanetaX,
2001)
- Granular (CD, Fragil Discos, 2002)
- Paisajes (CD, Aerodiscos, 2003)
- Navegación (EP MP3, free, www.fukkgod.org,
2003)
- Cornucopia / Pablo Reche: Nebula 9.3 (mCDr, Testing Ground,
2003)
- Navegando por el mar del ruido (CD, Dreamland Recordings, 2003)
- Reche / Bokor: Dialogue (CD, Dreamland Recordings, 2004)
- Pablo Reche & Alan Courtis: Transistores de aire (CD, Conv,
www.con-v.org/cnv21.htm,
2005)
- Billly Bao: R'n'R Granulator (CD, W.M.O. Records, 2005)
- Live at Recoleta (CD, Fuga Discos, 2006)
- Noema (Pablo Reche / Jaime Genovart): Linde EP (3 tracks, Ailimaf.com
Netlabel, 2006)
Compilations:
- De Super Acción (Fuga Records, 1999)
- Sonar 2000 (So Dens, 2000)
- Biblioteca Vol.1 (Die Gol Records, 2000)
- Ciclo P (revista Los Inrockuptibles, 2000)
- Liva´s Laceration (Zidsic/Zan Hoffman, USA, 2001)
- Nonplace Souvenirs (Ooze.bâp Records, 2001)
- Underground Vibes (Electromusic Records, 2001)
- Tributo a Depeche Mode (Discos Sordos, 2001)
- Ambient intimacy Vol.5 (EE Tapes, 2002)
- Sounds For Heads (Intruder Pain Records, 2002)
- Fuga Externa (Fuga Records, 2002)
- Pasada... Dj Angel Molina (Fragil Discos, 2002)
- Discos Noise Vol 1 (Discos Noise, 2002)
- Anestesia" (Discos Sordos, 2002)
- Monovolumen (Discos Noise, 2003)
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"Pablo Reche is the most important representative
of 'noise' in Argentina. As the owner of a very personal style,
he alternates noise with post-industrial music, experimental techno,
isolationism and the manipulation of vynils and CDs. His music has
just been published by the Catalonian company Grŕcia Territori Sonor."
(Jorge Haro - revista BARBARIA)
"Pablo Reche - Gira (Gracia Territori Sonor): It
seems lately that we've been hearing a lot of interesting music
coming originating from Argentina. Pablo Reche is an Argentinian
composer who creates densely layered and haunting music; perhaps
ambient noise but with sharp edges that jut out and keep it interesting."
(THE CEILING, CANADA)
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Emisión Gamma (excerpt)

Constelación 61 (excerpt) 
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