Macromassa was founded in Barcelona in 1976 by Victor Nubla and Juan Crek as an experimentation laboratory specially focused on the electronic modification of wind instruments and the voice. Since then, and until 1997 (year when it appeared their last album "Puerta Heliogábal") the team Nubla-Crek produced more thatn forty recordings and a hundred concerts. It is impossible to summarise all this material in just few words. Alongside these years, the music of Macromassa has walked on industrial sounds; has gave birth to such complex and crazy conceptual creations as "Los Hechos Pérez"; has closed vocal-literary phases to give way -in other recordings- to some other phases completely instrumental and of improvisation; has made the work of Macromassa to pass through the filter of the Municipal Band of Tolosa; has made the electric guitars appearing and disappearing; has transformed the rhythm machine into two drums... And all that with an inclassifiable "macromassic" touch. The same touch that has never left the listener indifferent when listening any of their eight albums.
Victor Nubla (1956) started his artistic career in the mid 70's. Composer, video-artist and writer, he has also composed music for cinema, video, theatre and contemporary ballet. He has worked in many other bands and projects: Colectivo de Improvisación Libre, Naif, El Cuarteto Albano, Nubla & Zulian, Agrupación Instrumental Phonos, El Consuelo Húngaro, Delirio de Dioses, Secreto Metro, UMYU, Klamm, Clónicos, Zush-Tres, Bel Canto Orquestra, Leo Mariño & Victor Nubla and CKT3 among others.
Juan Crek also started his activities as a professional musician in the mid 70's, with a stylistic base close to psychedelic rock. He has explored many areas in the new musical frontiers. Nowadays, he maintains an interesant solo career.
Around the nucleus Nubla-Crek, Macromassa has always had the complicity of musicians such as Albert Gimenez, Antón Ingnorant, Zush, Markus A. Breuss, Pere Boada, Kasper T. Toepliz, Eric Blanchard, Patri Martinez or Pep Figueras. Some of them participate in the CD "Homenaje a Macromassa" (Tetra Brik Records, 2000), where people as Superelvis, Clónicos, Pascal Comelade, Tina Gil or Carter Piler are in charge of making versions of some themes of Macromassa.

B. Amanuense

• Darlia Microtónica (EP, Umyu, 1976)
• El Concierto para ir en Globo (LP, Umyu, 1978)
• El Regreso a las Botellas de Papá Nódulus (cassette, L.M.D., 1983/84)
• Macromissa (LP, Esplendor Geométrico Discos, 1987)
• Espejo Rapidísimo Qinqen (LP, Esplendor Geométrico Discos, 1988 - 2 ed. La Isla de la Tortuga, 1989)
• Tolosako Banda Munizipalak interpretatzen dio Macromassa-ri (LP, Música Inaudita, 1991)
• Los Hechos Pérez (LP/CD, G3G Records, 1993)
• Zog Live (CD, G3G Records, 1995)
• Um-yu (Las Flores Amarillas también dan Entradas Nuevas a los Perros) (CD, Música Secreta, 1996)
• Puerta Heliogábal (CD, Sonifolk - Gràcia Territori Sonor, 1997)

"Entrenched between surrealism and a situationism near to Gómez de la Serna's style, Victor Nubla and Juan Crek are two puzzling humourists, veteran empiricists of experimental rock/jazz born in Barcelona in the mid-70's, whose relationship with electronics comes from time immemorial.../... In 'Puerta Heliogábal', honouring to their condition of 'laboratory', Macromassa challenge us with taciturn blusters arisen from black'n'white dreamings, premeditated or accidental evocations to Eric Dolphy and Faust, and, in general, a restless, particular sonic conception that we must savour calmly and carefully, in view of its multiplicity of textures. So imaginative that nobody would say that with their 'Puerta Heliogábal', their discography is twenty years old." (Jaime Gonzalo - RUTA 66)

"They are different. Macromassa cross with the listener and knock him down. With their sonorous/mental Universe there is no timo for indifference: they transform music into a manifesto, and the manifesto into an orgy of sounds and rhythm. They play with you; they tickle you; they make you feeling dizzy." (Javier Piñango - RUTA 66)

El espigado aspecto de Martina (excerpt)

Abrázame (algo cae) (excerpt)