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Electronic collective directed by Justo Bagüeste, characterised by its analogical sound, the latest technologies and a special tendency towards tribal rhythms.
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"Life is a dream", said then Calderón de la Barca; however, for Justo Bagüeste, "life is a sound", and life, dreams and sounds are, exactly, what I.P.D. is about (I.P.D. stands for Inducing the Pleasure Dreams). This multitasked collective, established in Madrid, has in Justo its central piece, being DJ Morgana, DJ Dynamo and X Flash (the one in charge of the projections and showings) his satellites. Justo, a musician who works in a great deal of musical fields, comes from the conservatoire, and has developed works for cinema and ballet, played in so different groups such as Corcobado y los Chatarreros de Sangre y Cielo or Clónicos, and he has even remixed themes of Esplendor Geométrico. His first album, produced by Suso Sáiz, turned him in a classical of "chill-out": analogical electronics, with an evident Teutonic inspiration, always adorned with some good jazz' "brushstrokes". The "kosmische kurier" from Huesca injects street life's beating in glider music and gives birth a new gender: urban cosmic music, the one that glides at ground level. His last works introduced more ethnic elements and gave more power to the dance loading, getting, then, I.P.D. to give up their reputation of "just for listening in a horizontal position", without, however, having lost their hypnotist qualities.

Jesús Brotons.

 
 
discografia  
   
 
 

 

  • Inducing The Pleasure Dreams (CD, Geometrik, 1995)
  • Radiomoog 96 (CD single, Geometrik, 1996)
  • In Out (CD, Geometrik, 1998)
  • Ballet Radar (CD, Radar, 1999)
  • Botánica Oculta (Book-Record "Laboratorio", El Europeo, 2001)
  • Inducing The Poetic Dreams (CD, Stkm Records, 2003)

with Cows In Love:

  • Vacas Felices, Happy Cows (CD, Boa, 2003)

as Justo Bagüeste:

  • Bestiario (CD, La ecléctica madrileña/V2, 2005)

 

 
 
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"Urban sounds' flashes and multicoloured noises provided by the sampler, the tape-handling, effects and old synthesizers... An unusual risk." (Félix Suárez - ROCK DE LUX).

"...It excites and provides the security of proving how, with the complicity of, sometimes, out-of-date instruments, it is possible for us to be the eyewitnesses of one of those scarce and truthful premieres that, from time to time, the national showbizz affords us." (Luis Martín - VOICE).

"I.P.D. is one of those scarce ambient music records made in Spain. And the thing is that it is neither new-age nor something which has to shun from the international comparation. Actually, it is a very good album." (José Manuel Costa - ABC).

"Ambient music (although this label does not honour to that delightful first induction) and a dazzling tapestry of synthesizers and city sounds, with a more tense than dreamy atmosphere." (Diego Manrique - EL PAIS de las TENTACIONES).

 

 

 
 
 
   
 
     
 
 
 
   
     
 
 

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