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The FMOL Trio is an electronic free improvisation group, which takes
its name from the FMOL virtual digital instrument, developed in
1997 by one of its members. It has been formed in 1999, by Pelayo
F. Arrizabalaga (alto sax, bass clarinet and scratch turntables),
Cristina Casanova (FMOL) and Sergi Jordą (FMOL and QWERTYCaster
guitar), as a fusion of the former improvisation duos held by Casanova
and Jordą, and Arrizabalaga and Jordą, respectively. Combining the
unique sounds (and visualizations) of the FMOL, with Arrizabalaga's
power blowing, the trio creates an astonishing free music of difficult
classification, with possible links to Eric Dolphy or Alber Ayler,
Xenakis electronic works, illbient, japanese noisemakers, New York's
No Wave or Miles' Agartha period.
The FMOL (Faust Music On Line) software synth, was developed by
Sergi Jordą and Toni Aguilar when the Catalan theater group La Fura
dels Baus, proposed Jordą the creation of a collective virtual musical
instrument for the Internet. "We don't want MIDI music. We don't
want notes, we want sound. We don't want keyboardists, we want sound
sculptors. We won't demand the composers more gear than an Internet
connection and a 100$ multimedia soundcard. Music will be composed
in real-time with the mouse, and composers will be able to modify,
process or distort previous compositions." Those were the basics
of a project which, during the spring of 1998, was used by more
than a hundred composers around the world for creating part of the
music for la Fura's play, Faust 3.0, and was awarded that same year
as best multimedia application at the Bourges 3rd International
Musical Software Competition (http://www.gmed.fr). One of the software
major peculiarities is that its interface, which stands somewhere
between a virtual harp and an oscilloscope, allows the music to
be visualized while being played.
While la Fura's Faust is still touring worldwide, and after Jordą
produced an FMOL CD which remixes hundreds of these Internet contributions,
he and Casanova (one of the remixers on the CD) formed the audiovisual
improvisation duo (using two computers and two data projectors),
now powerfully enriched with Arrizabalaga's saxes, clarinets and
scratches.
www.arrakis.es/~ccs/hazardrecords/artists/fmoltrio.htm
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FMOL Trio:
- Live at Metrònom (CD, Hazard Records, 2000)
- Night in the Chapel (CD, Hazard Records, 2002)
- The Köln Concert (CD, Hazard Records, 2002)
La Fura dels Baus - Sergi Jordà:
- Faust 3.0 / FMOL (CD, Sgae, 1998)
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"Music, from time to time, creates first fruits and sounds new,
as recently inaugurated. Unusual sonorous registers, unexpected
articulations, desinhibition. To sound like that, imagination,
enthusiasm and audacity are needed. FMOL certainly experience,
but with intensity. No frozen instrumental dissections. Pure nerve.
Sergi Jordà and Cristina Casanova (synthesyzers) and Pelayo
F. Arrizabalaga (sax and clarinet) are a trio of improvised, revitalised
and renewed electronic music. A conspiracy, the one of the sons,
to sound free and with sense." (D.P.S. - AVUI)
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